Let Me Out

This is one of my original tunes with an Irish fiddle flavor. I have it in the Canine medley, which includes Little Begger Dog and Old Gray Fox.

One of my challenges is to find the happy medium between the way I play the tune with maximum ornamentation, and an accessible way for intermediate fiddlers.

Since I increase ornamentation the longer I play a tune, it is a matter of going back in time. How did I play the tune when I first put it on paper or recorded it?

I put a version or two of this on YouTube.com/grassapelli a while back. I’m not sure if it matches the tab chart. Tunes mutate when I’m not looking at them.

Of all the tunes I’ve written, this is one I enjoy playing more than most. I don’t know why. It just feels good.

Fiddle tab chart for Let Me Out

Let Me Out in fiddle tab

The better to print version: Let Me Out in pdf.

Connaughtman’s Ramble

I saved space on the pages of my book by using footnotes and tidbits of tab. These one bar or less fragments were meant to be substituted when desired.

In my many years of teaching I found that substituting a fragment, or a bar, was not an easy skill for most students.

Now that I am publishing online, I don’t have to be so frugal with space. I can simply publish two or more variations of a whole tune. No need for note of foot.

Here are two versions of Connaughtman’s Ramble. This is a well known session tune. It was brought to me originally by one of my students who got it at a fiddle workshop in Boston.

Fiddle tab chart for Connaughtman's Ramble-Basic

Basic version of Connaughtman's Ramble

The pdf of Connaughtman’s Ramble-Basic.

The advanced version has rolls and grace notes. These, of course, are not graven in granite. You can use some or all.

Fiddle tab chart for Connaughtman's Ramble-Advanced

The pdf of Connaughtman’s Ramble-Advanced.

Down Yonder

Down Yonder is a good old time tune that you don’t hear so much any more. My first serious exposure to it was when I listened to the “Circle Album.”

Doc Watson asked, “How does that go, Vassar?” and away they went. That version got published by Oak Publications. Alas, it is out of print.

Scotty Stoneman’s version is in the Phillips Collection. Like Vassar’s it’s advanced and rakish, a no-holds-barred music event.

What I’m offering here is quite basic. But, there are a few tricks worth noticing.

The kickoff is a particular bow technique that requires good control of the bow while playing near the frog. Here’s the tip: Keep the bow close to the string for the repeated down-bows.

Once you get going, the plan of slurs or separate bows should feel natural and easy.

Fiddle tab chart for Down Yonder

And here is the pdf of Down Yonder.

Moscow Duck

This must be the oldest original fiddle tune that I still play. A hand draw tab was published in The Florida Fiddler newsletter a long time ago.

This update is only a little different. I don’t think I had Georgia bow in the B part, as in this version.

A special observation is the use of a high fourth finger in the B part. That stretches all the way up to an F natural. You notice the slide up and down indications, too. It’s a moaning kind of sound. Very bluesy.

Fiddle tab chart for Moscow Duck

Moscow Duck in Fiddle Tab

And here is the pdf of Moscow Duck.

Mid-year Review of 100 Fiddle Tunes

Being about half way through the year, I’m evaluating my project, 100 Fiddle Tunes. Yes, I’m behind schedule. I have been since the start.

Earlier, I thought I would get caught up as the year progressed. My ability to chart tunes more quickly would  come into play. So far, that has not happened.

It still takes about an hour to make a fiddle tab chart for a n average complex tune. That’s an hour I could be playing my fiddle. And sometimes that’s what I do instead of tab work.

The intention behind this effort shifted a bit. Originally I thought in terms of music notation for how I play the tunes. Then, in response to a request, I began focusing on tab charts.

And that’s how it should be. Brian Tracy says we should do those things that only we can do, that no one else can do. I know of no one who is drawing fiddle tab charts the way I draw them.

There are software programs that can put the fingering indications on the line, but that is not satisfying for me.

The way I draw them takes longer, but I like the uncluttered appearance. And anyway, that’s the form of tab chart I saw first in Beginning Old Time Fiddle, twenty five years ago.

I can also see that mp3 files of the tunes would be useful. Those may begin showing up soon. But, I cannot put too much time in on that and also get the fiddle tab charts drawn.

Will I get this done by the end of the year? Maybe not. but, I’ll just keep going until I have the 100 fiddle tunes up on this web site.

After that, we’ll see how many bells and whistles I can add!

The Butterfly

If you saw the program of The Celtic Women, you heard this tune played by a cute blond fiddler who danced in a graceful way as she played. It’s a popular session tune, and usually played a bit faster than the graceful dancing way.

Fiddle tab chart for The Butterfly Slip Jig

The Butterfly pdf.

Minor Swing

This has been a popular bluegrass tune since David Grisman’s Hot Dawg, if not earlier. It’s also showed up in a few movies.

Chocolat featured a Gypsy band playing the tune. Even in Julie & Julia, there was a moment of one and a half bars that had the tune playing at the cut to the wedding scene. Then, the music cut again to something else. It was an awkward moment in the film. Maybe it just slipped by.

The tune should be played with a swing feel. I’ve indicated some of the syncopation. Use more if you like.

The way I have the tune here is close to how I play it. I can make no other claim.

Fiddle tab chart for Minor Swing

The pdf for Minor Swing.

Great Speckled Bird

A few years ago I got a request to make a fiddle tab chart for Great Speckled Bird. The request came from an online student who wanted to play this at a fiddle contest.

I must have wanted to chart this tune anyway. My result was a simple version of the tune, much like it was sung by Roy Acuff, followed by a fancier fiddle version.

Fiddle tab chart for Great Speckled Bird

Great Speckled Bird in Fiddle Tab

And the pdf of Great Speckled Bird.

Red River Valley for Beginners

Red River Valley is a beginner tab. It’s a well known folk song. The notes are not hard.

There are two aspects that make it a little challenging.

1. The counting, to be accurate, requires holding notes for several counts, or beats.
2. The tune is repeated an octave higher.

Here’s a brief discussion of these two challenges.

1. The feel of the song, for me, is a slow two. But, when I’m teaching it, I count it in four. Each descending stem gets one count. The circled fingering numbers get two counts. A fingering number that is circled and dotted gets three counts. A number that is circled and has no stem gets four counts.

Some of the notes are longer because of the ties. That’s the curved line that goes from one finger number to the same finger number. This notation system only intends to make the counting completely accurate.

The first such indication is in the third full bar. (The very first bar with two notes is not a full bar.) The third finger note, a C on the G string, gets five counts. They way to count it accurately is to start on the second beat where it begins: two, three, four, one, two.

We keep repeating our count of four constantly. In the seventh bar the note gets four counts and ties to the same note getting two counts.

Fortunately, the song is well known and can almost be played with sufficient accuracy by feel alone. And perhaps some beginning to intermediate fiddlers could easily play by heart and just nail it.

2. Repeating the song an octave higher creates additional interest. It also doubles the learning time and effort. You might as well consider you are learning two tunes.

But this device of playing a tune an octave higher or lower is used commonly. One of the members of our local fiddle group, the Bay Area Fiddlers Association, will play some tunes an octave lower than the rest of us, as a variation.

Getting used to the changes in fingering that must be done to accomplish this trick is part of the gain in expertise on your way to mastery.

Fiddle tab chart of Red River Valley for beginners

Red River Valley as pdf.

Julia Delaney

Apparently I was mistaken about Margaret’s Waltz being an Irish tune. An yet, I’m going way out on a limb here and saying this is an Irish reel. Definitely sounds Irish.

I worked out a harmony part in twin fiddling for this, but you need to go into second position to pull it off. That’s one reason for not producing a tab chart. Maybe someday, in music notation.

Fiddle tab chart for Julia Delaney

Some of the bowing may seem a little odd. I arranged it so that the cross string bowing could be up bow on the E and down bow on the A. The bow technique feels more natural.

Here’s the pdf for Julia Delaney.