Indian Point by Rick Mohr

Indian Point is a jig written by Rick Mohr. It has become a popular session tune. Mr. Mohr has used a musical device in this tune that is very effective. Maybe he did not set out to do this composer’s trick, but it is a neat one.

The contour of the melody and chord progression in the A part is speeded up to twice as fast in the B part. That doesn’t mean that notes go faster. It’s the change of chords, and the arc of melody that moves faster. I hope that makes sense.

I find this jig absolutely magnetic. I love to play it.

In the first chart you find the basic tune in fiddle tab as it is published elsewhere in music notation. The second chart has some ornaments I like to use when I play the tune. Look for the pdf file for printing and the mp3 file for listening. They are below each graphic image.

Indian Point in fiddle tablature

Here is the Indian Point in pdf. This is the Indian Point MP3 file.

Indian Point in fiddle tab

Indian Point with ornaments in pdf; and the with ornaments MP3 file.

Amazing Grace Fiddle Notes and Recording

The Amazing Grace fiddle notes are comments I make here, not musical notation. Fiddle notes might be tablature, but not musical notation targeted for fiddle.

Dale Morris had a very interesting approach to Amazing Grace. He talked about this when I attended the Texarkana Fiddle Camp way back when. (It was the first year of the Mark O’Connor Camp, whenever that was. I attended both.)

He said that he liked to slur notes together if they represented one word. The first word in the song is ‘amazing’. It is given one note for each syllable. Usually you hear this played with three bows. And that’s the way I’ve published the tune.

His reasoning is good and musical. If you are a beginner, though, it’s a little awkward to get the three notes together in one bow. Since I give this tune to beginners, I make it easier and more conventional.

If you are an intermediate or advanced player, you can stretch this first part out in one bow. In fact, you may choose to do a juicy shift to third position on the third note.

I’m showing the three ways of handling this beginning of the tune in the tabs below. Further along is a link to an mp3 file demonstrating the sound.

You will see an ornamented version of the song in the first fiddle tab chart. Even beginners are encouraged to push into new territory.

Fiddle tab chart for Amazing Grace

Now here is a fragment to show the beginning with the slur covering the first three notes.

Fragment of Amazing Grace with slurring

And finally, moving into third position for during first three notes.

Fragment of Amazing Grace with 3rd position move

For the best printing results, here is a pdf of Amazing Grace.

A three minute mp3 file demonstrates the comparative sound of all this: Amazing-Grace MP3.

E Tenn Blues, Texas Crapshooter, Beaumont Rag

Earlier this year a student came back from a summer fiddle camp. She was a little beside herself. The class was on average more advanced than she was, in her opinion.

Furthermore, she wanted to play E Tennessee Blues and the fingering was a high speed bump. She seemed resistant to the idea of using a slightly simplified fingering. Eventually, she accepted it.

Now here’s the payoff. I use the more advanced version and the simplified version in the recent album track my band created in pursuit of our album.

Here’s the link from Fiddle Hangout. You can listen for the easy or advanced lick.

The medley goes on to Texas Crapshooter, a tune I first heard from the Bobby Hicks album of the same name. I don’t use hokum in this one like he does.

Finally, on to Beaumont Rag, played in the ole time key of F. My band, the Crystal Beach String Band, likes this tune.